45 John Donne: Selections

“Portrait of the English poet and cleric John Donne” by an unknown artist, c. 1592. Wikimedia Commons.

Introduction

by Brandon Harrison

 

John Donne (1572-1631) was an English writer and is seen as a major figure amongst the “Metaphysical poets” a group of 17th-century writers whose works are notable for their use of conceits–extended metaphoric comparisons that are strikingly clever. In addition to poetry, he also wrote love lyrics, erotic verses, essays, sermons, and satires. Donne’s work is notable for its emotional and intense tone and its subject matter: faith, human and divine love, and the possibility of salvation.

 

Biography

Donne was born in London in 1572 to a recusant Catholic family at a time when the practice of that religion was illegal in England. When he was just four years old, his father died, leaving Elizabeth Donne (nee Heywood) to raise John and his five siblings on her own. He was educated privately, then from 11-14 at Hart Hall (now Hertford College, Oxford), and 15-18 at the University of Cambridge. He received no degrees, however, because of his Catholic faith (and refusal to take the Oath of Supremacy).

During and after his education, Donne spent much of his considerable inheritance on women, literature, pastimes and travel. He fought alongside Sir Walter Raleigh at the battle of Cadiz and traveled across Europe, living for years in Italy and Spain, presumably with an eye toward a diplomatic career. He was appointed chief secretary to the Lord Keeper of the Great Seal, Thomas Egerton, and lived close to the Palace of Whitehall, then the most influential social center in England (“John Donne”). On Christmas Eve, 1601, Donne secretly married Egerton’s niece, Anne More. This effectively ended his career and, for a time, he was imprisoned. It would take eight more years before he was reconciled to his wife’s family. Anne gave birth to 12 children in 16 years of marriage, (including two stillbirths); indeed, she spent most of her married life either pregnant or nursing. She died five days after giving birth to their twelfth child (who was stillborn); Donne mourned her deeply, and wrote of his love and loss in his 17th Holy Sonnet.

Around this time, Donne converted to Anglicanism and resurrected his career, serving as a member of parliament and, by 1621, was appointed Dean of St. Paul’s a leading and well-paid position in the Church of England, which he held until his death in 1631.

 

Writings

Donne’s earliest poems showed a developed knowledge of English society coupled with sharp criticism of its problems. His satires dealt with common Elizabethan topics, such as corruption in the legal system, mediocre poets, and pompous courtiers (“John Donne” Wikipedia). His images of sickness, vomit, manure, and plague reflected his strongly satiric view of a society populated by fools and knaves. Donne’s early career was also notable for his erotic poetry, especially his elegies, in which he employed unconventional metaphors, such as a flea biting two lovers being compared to sex (Ibid). Donne did not publish these poems, although they circulated widely in manuscript form.

Some have speculated that Donne’s numerous illnesses, financial strain, and the deaths of his friends all contributed to the development of a more sombre and pious tone in his later poems. The change can be clearly seen in “An Anatomy of the World” (1611), a poem that Donne wrote in memory of Elizabeth Drury, daughter of his patron, Sir Robert Drury of Hawstead, Suffolk. This poem treats Elizabeth’s demise with extreme gloominess, using it as a symbol for the Fall of Man and the destruction of the universe. Towards the end of his life Donne wrote works that challenged death, and the fear that it inspired in many men, on the grounds of his belief that those who die are sent to Heaven to live eternally. One example of this challenge is his Holy Sonnet X, “Death Be Not Proud”.

 

His Rediscovery

Though Donne’s writing was beloved by a small circle of admirers and he was mainly known as a writer, in later years, he gained local fame as a preacher. Donne’s work was still loved for around thirty years after his death, but it then plunged into obscurity, only to be “rediscovered” in the 20th century (“John Donne” Wikipedia). His work remained primarily unnoticed until the year 1919 when a growing band of avant-garde readers and writers who picked up his work in the late 1800’s started to showcase his poetry (“John Donne” Poetry Foundation). Even though Donne’s poems were written well over four hundred years ago, one main reason that it appeals to contemporary readers is because of the way they speak directly and urgently to us.

 


Works Cited

“Holy Sonnets.” Encyclopedia Britannica. 26 Aug. 2019, www.britannica.com/topic/Holy-Sonnets Accessed March 26, 2020.

“John Donne.” Poetry Foundation, n.d. www.poestryfoundation.org/poets/john-donne Accessed March 28, 2020.

“John Donne.” Wikipedia, 25 Sept. 2020. en.wikipedia.org/wiki/John_Donne Accessed 23 Oct. 2020.

“John Donne’s Holy Sonnets by John Donne.” Enotes.com, n.d. www.enotes.com/topics/john-donne-holy-sonnets Accessed March 28, 2020.

Discussion Questions

  1. What is Donne’s essential argument in “The Flea”? Who is it addressed to? Is it convincing?
  2. “The Good-Morrow” is a love poem that contains many metaphoric comparisons. What are these? Which is the most striking?
  3. How does Donne use repetition, personification, and/or irony in “The Sun Rising”?
  4. What stage of love does Donne describe in “Break of Day”? How do we know?
  5. “A Valediction of Weeping” is said to be a quintessentially “metaphisical” poem. What does this mean? And what examples from the text do we have to support this interpretation?
  6. What do the views of God and faith presented here in the Holy Sonnets tell us about religion in the Jacobean period?
  7. What do you understand about Donne’s personal faith from these poems? What are his essential struggles?

Further Resources

  • A podcast on the “Metaphysical Poets” from BBC’s In our Time series
  • Luminarium’s extensive webpage devoted to John Donne – including biography, famous quotations, a compilation of essays about his work, and many other resources
  • A 2013 New Yorker article on “John Donne’s Erotica”


Reading: From Songs and Sonnets

 

THE FLEA.

MARK but this flea, and mark in this,
How little that which thou deniest me is ;
It suck’d me first, and now sucks thee,
And in this flea our two bloods mingled be.
Thou know’st that this cannot be said
A sin, nor shame, nor loss of maidenhead ;
Yet this enjoys before it woo,
And pamper’d swells with one blood made of two ;
And this, alas ! is more than we would do.

O stay, three lives in one flea spare,
Where we almost, yea, more than married are.
This flea is you and I, and this
Our marriage bed, and marriage temple is.

Though parents grudge, and you, we’re met,
And cloister’d in these living walls of jet.
Though use make you apt to kill me,
Let not to that self-murder added be,
And sacrilege, three sins in killing three.

Cruel and sudden, hast thou since
Purpled thy nail in blood of innocence?
Wherein could this flea guilty be,
Except in that drop which it suck’d from thee?
Yet thou triumph’st, and say’st that thou
Find’st not thyself nor me the weaker now.
‘Tis true ; then learn how false fears be ;
Just so much honour, when thou yield’st to me,
Will waste, as this flea’s death took life from thee.

 

THE GOOD-MORROW.

I WONDER by my troth, what thou and I
Did, till we loved ? were we not wean’d till then ?
But suck’d on country pleasures, childishly ?
Or snorted we in the Seven Sleepers’ den ?
‘Twas so ; but this, all pleasures fancies be ;
If ever any beauty I did see,
Which I desired, and got, ’twas but a dream of thee.

And now good-morrow to our waking souls,
Which watch not one another out of fear ;
For love all love of other sights controls,
And makes one little room an everywhere.
Let sea-discoverers to new worlds have gone ;
Let maps to other, worlds on worlds have shown ;
Let us possess one world ; each hath one, and is one.

My face in thine eye, thine in mine appears,
And true plain hearts do in the faces rest ;
Where can we find two better hemispheres
Without sharp north, without declining west ?
Whatever dies, was not mix’d equally ;
If our two loves be one, or thou and I
Love so alike that none can slacken, none can die.

 

SONG.

GO and catch a falling star,
Get with child a mandrake root,
Tell me where all past years are,
Or who cleft the devil’s foot,
Teach me to hear mermaids singing,
Or to keep off envy’s stinging,
And find
What wind
Serves to advance an honest mind.

If thou be’st born to strange sights,
Things invisible to see,
Ride ten thousand days and nights,
Till age snow white hairs on thee,
Thou, when thou return’st, wilt tell me,
All strange wonders that befell thee,
And swear,
No where
Lives a woman true and fair.

If thou find’st one, let me know,
Such a pilgrimage were sweet;
Yet do not, I would not go,
Though at next door we might meet,

Though she were true, when you met her,
And last, till you write your letter,
Yet she
Will be
False, ere I come, to two, or three.

 

THE UNDERTAKING.

I HAVE done one braver thing
Than all the Worthies did ;
And yet a braver thence doth spring,
Which is, to keep that hid.

It were but madness now to impart
The skill of specular stone,
When he, which can have learn’d the art
To cut it, can find none.

So, if I now should utter this,
Others—because no more
Such stuff to work upon, there is—
Would love but as before.

But he who loveliness within
Hath found, all outward loathes,
For he who color loves, and skin,
Loves but their oldest clothes.

If, as I have, you also do
Virtue in woman see,
And dare love that, and say so too,
And forget the He and She ;

And if this love, though placèd so,
From profane men you hide,
Which will no faith on this bestow,
Or, if they do, deride ;

Then you have done a braver thing
Than all the Worthies did ;
And a braver thence will spring,
Which is, to keep that hid.

 

THE SUN RISING.

BUSY old fool, unruly Sun,
Why dost thou thus,
Through windows, and through curtains, call on us ?
Must to thy motions lovers’ seasons run ?
Saucy pedantic wretch, go chide
Late school-boys and sour prentices,
Go tell court-huntsmen that the king will ride,
Call country ants to harvest offices ;
Love, all alike, no season knows nor clime,
Nor hours, days, months, which are the rags of time.

Thy beams so reverend, and strong
Why shouldst thou think ?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long.
If her eyes have not blinded thine,
Look, and to-morrow late tell me,
Whether both th’ Indias of spice and mine
Be where thou left’st them, or lie here with me.
Ask for those kings whom thou saw’st yesterday,
And thou shalt hear, “All here in one bed lay.”

She’s all states, and all princes I ;
Nothing else is ;
Princes do but play us ; compared to this,
All honour’s mimic, all wealth alchemy.
Thou, Sun, art half as happy as we,
In that the world’s contracted thus ;
Thine age asks ease, and since thy duties be
To warm the world, that’s done in warming us.
Shine here to us, and thou art everywhere ;
This bed thy center is, these walls thy sphere.

 

THE INDIFFERENT.

I CAN love both fair and brown ;
Her whom abundance melts, and her whom want betrays ;
Her who loves loneness best, and her who masks and plays ;
Her whom the country form’d, and whom the town ;
Her who believes, and her who tries ;
Her who still weeps with spongy eyes,
And her who is dry cork, and never cries.
I can love her, and her, and you, and you ;
I can love any, so she be not true.

Will no other vice content you ?
Will it not serve your turn to do as did your mothers ?
Or have you all old vices spent, and now would find out others ?
Or doth a fear that men are true torment you ?
O we are not, be not you so ;
Let me—and do you—twenty know ;
Rob me, but bind me not, and let me go.
Must I, who came to travel thorough you,
Grow your fix’d subject, because you are true ?

Venus heard me sigh this song ;
And by love’s sweetest part, variety, she swore,
She heard not this till now ; and that it should be so no more.
She went, examined, and return’d ere long,
And said, “Alas ! some two or three
Poor heretics in love there be,
Which think to stablish dangerous constancy.
But I have told them, ‘Since you will be true,
You shall be true to them who’re false to you.’ ”

 

THE CANONIZATION.

FOR God’s sake hold your tongue, and let me love ;
Or chide my palsy, or my gout ;
My five gray hairs, or ruin’d fortune flout ;
With wealth your state, your mind with arts improve ;
Take you a course, get you a place,
Observe his Honour, or his Grace ;
Or the king’s real, or his stamp’d face
Contemplate ; what you will, approve,
So you will let me love.

Alas ! alas ! who’s injured by my love?
What merchant’s ships have my sighs drown’d?
Who says my tears have overflow’d his ground?
When did my colds a forward spring remove?
When did the heats which my veins fill
Add one more to the plaguy bill?
Soldiers find wars, and lawyers find out still
Litigious men, which quarrels move,
Though she and I do love.

Call’s what you will, we are made such by love ;
Call her one, me another fly,
We’re tapers too, and at our own cost die,
And we in us find th’ eagle and the dove.

The phoenix riddle hath more wit
By us ; we two being one, are it ;
So, to one neutral thing both sexes fit.
We die and rise the same, and prove
Mysterious by this love.

We can die by it, if not live by love,
And if unfit for tomb or hearse
Our legend be, it will be fit for verse ;
And if no piece of chronicle we prove,
We’ll build in sonnets pretty rooms ;
As well a well-wrought urn becomes
The greatest ashes, as half-acre tombs,
And by these hymns, all shall approve
Us canonized for love ;

And thus invoke us, “You, whom reverend love
Made one another’s hermitage ;
You, to whom love was peace, that now is rage ;
Who did the whole world’s soul contract, and drove
Into the glasses of your eyes ;
So made such mirrors, and such spies,
That they did all to you epitomize—
Countries, towns, courts beg from above
A pattern of your love.”

 

SONG.

SWEETEST love, I do not go,
For weariness of thee,
Nor in hope the world can show
A fitter love for me ;
But since that I
At the last must part, ’tis best,
Thus to use myself in jest
By feigned deaths to die.

Yesternight the sun went hence,
And yet is here to-day ;
He hath no desire nor sense,
Nor half so short a way ;
Then fear not me,
But believe that I shall make
Speedier journeys, since I take
More wings and spurs than he.

O how feeble is man’s power,
That if good fortune fall,
Cannot add another hour,
Nor a lost hour recall ;
But come bad chance,
And we join to it our strength,
And we teach it art and length,
Itself o’er us to advance.

When thou sigh’st, thou sigh’st not wind,
But sigh’st my soul away ;
When thou weep’st, unkindly kind,
My life’s blood doth decay.
It cannot be
That thou lovest me as thou say’st,
If in thine my life thou waste,
That art the best of me.

Let not thy divining heart
Forethink me any ill ;
Destiny may take thy part,
And may thy fears fulfil.
But think that we
Are but turn’d aside to sleep.
They who one another keep
Alive, ne’er parted be.

 

AIR AND ANGELS.

TWICE or thrice had I loved thee,
Before I knew thy face or name ;
So in a voice, so in a shapeless flame
Angels affect us oft, and worshipp’d be.
Still when, to where thou wert, I came,
Some lovely glorious nothing did I see.
But since my soul, whose child love is,
Takes limbs of flesh, and else could nothing do,
More subtle than the parent is
Love must not be, but take a body too ;
And therefore what thou wert, and who,
I bid Love ask, and now
That it assume thy body, I allow,
And fix itself in thy lip, eye, and brow.

Whilst thus to ballast love I thought,
And so more steadily to have gone,
With wares which would sink admiration,
I saw I had love’s pinnace overfraught ;
Thy every hair for love to work upon
Is much too much ; some fitter must be sought ;
For, nor in nothing, nor in things
Extreme, and scattering bright, can love inhere ;
Then as an angel face and wings
Of air, not pure as it, yet pure doth wear,
So thy love may be my love’s sphere ;
Just such disparity
As is ‘twixt air’s and angels’ purity,
‘Twixt women’s love, and men’s, will ever be.

 

BREAK OF DAY.

STAY, O sweet, and do not rise ;
The light that shines comes from thine eyes ;
The day breaks not, it is my heart,
Because that you and I must part.
Stay, or else my joys will die,
And perish in their infancy.

 

A VALEDICTION OF WEEPING.

LET me pour forth
My tears before thy face, whilst I stay here,
For thy face coins them, and thy stamp they bear,
And by this mintage they are something worth.
For thus they be
Pregnant of thee ;
Fruits of much grief they are, emblems of more ;
When a tear falls, that thou fall’st which it bore ;
So thou and I are nothing then, when on a divers shore.

On a round ball
A workman, that hath copies by, can lay
An Europe, Afric, and an Asia,
And quickly make that, which was nothing, all.
So doth each tear,
Which thee doth wear,
A globe, yea world, by that impression grow,
Till thy tears mix’d with mine do overflow
This world, by waters sent from thee, my heaven dissolvèd so.

O ! more than moon,
Draw not up seas to drown me in thy sphere ;
Weep me not dead, in thine arms, but forbear
To teach the sea, what it may do too soon ;
Let not the wind
Example find
To do me more harm than it purposeth :
Since thou and I sigh one another’s breath,
Whoe’er sighs most is cruellest, and hastes the other’s death.

 

LOVE’S ALCHEMY.

Some that have deeper digg’d love’s mine than I,
Say, where his centric happiness doth lie.
I have loved, and got, and told,
But should I love, get, tell, till I were old,
I should not find that hidden mystery.
O ! ’tis imposture all ;
And as no chemic yet th’ elixir got,
But glorifies his pregnant pot,
If by the way to him befall
Some odoriferous thing, or medicinal,
So, lovers dream a rich and long delight,
But get a winter-seeming summer’s night.

Our ease, our thrift, our honour, and our day,
Shall we for this vain bubble’s shadow pay?
Ends love in this, that my man
Can be as happy as I can, if he can
Endure the short scorn of a bridegroom’s play?
That loving wretch that swears,
‘Tis not the bodies marry, but the minds,
Which he in her angelic finds,
Would swear as justly, that he hears,
In that day’s rude hoarse minstrelsy, the spheres.
Hope not for mind in women ; at their best,
Sweetness and wit they are, but mummy, possess’d.

 

A NOCTURNAL UPON ST. LUCY’S DAY,
BEING THE SHORTEST DAY.

‘TIS the year’s midnight, and it is the day’s,
Lucy’s, who scarce seven hours herself unmasks ;
The sun is spent, and now his flasks
Send forth light squibs, no constant rays ;
The world’s whole sap is sunk ;
The general balm th’ hydroptic earth hath drunk,
Whither, as to the bed’s-feet, life is shrunk,
Dead and interr’d ; yet all these seem to laugh,
Compared with me, who am their epitaph.

Study me then, you who shall lovers be
At the next world, that is, at the next spring ;
For I am every dead thing,
In whom Love wrought new alchemy.
For his art did express
A quintessence even from nothingness,
From dull privations, and lean emptiness ;
He ruin’d me, and I am re-begot
Of absence, darkness, death—things which are not.

All others, from all things, draw all that’s good,
Life, soul, form, spirit, whence they being have ;
I, by Love’s limbec, am the grave
Of all, that’s nothing. Oft a flood
Have we two wept, and so
Drown’d the whole world, us two ; oft did we grow,
To be two chaoses, when we did show
Care to aught else ; and often absences
Withdrew our souls, and made us carcasses.

But I am by her death—which word wrongs her—
Of the first nothing the elixir grown ;
Were I a man, that I were one
I needs must know ; I should prefer,
If I were any beast,
Some ends, some means ; yea plants, yea stones detest,
And love ; all, all some properties invest.
If I an ordinary nothing were,
As shadow, a light, and body must be here.

But I am none ; nor will my sun renew.
You lovers, for whose sake the lesser sun
At this time to the Goat is run
To fetch new lust, and give it you,
Enjoy your summer all,
Since she enjoys her long night’s festival.
Let me prepare towards her, and let me call
This hour her vigil, and her eve, since this
Both the year’s and the day’s deep midnight is.

 

THE BAIT.

COME live with me, and be my love,
And we will some new pleasures prove
Of golden sands, and crystal brooks,
With silken lines and silver hooks.

There will the river whisp’ring run
Warm’d by thy eyes, more than the sun ;
And there th’ enamour’d fish will stay,
Begging themselves they may betray.

When thou wilt swim in that live bath,
Each fish, which every channel hath,
Will amorously to thee swim,
Gladder to catch thee, than thou him.

If thou, to be so seen, be’st loth,
By sun or moon, thou dark’nest both,
And if myself have leave to see,
I need not their light, having thee.

Let others freeze with angling reeds,
And cut their legs with shells and weeds,
Or treacherously poor fish beset,
With strangling snare, or windowy net.

Let coarse bold hands from slimy nest
The bedded fish in banks out-wrest ;
Or curious traitors, sleeve-silk flies,
Bewitch poor fishes’ wand’ring eyes.

For thee, thou need’st no such deceit,
For thou thyself art thine own bait :
That fish, that is not catch’d thereby,
Alas ! is wiser far than I.

 

THE APPARITION.

WHEN by thy scorn, O murd’ress, I am dead,
And that thou thinkst thee free
From all solicitation from me,
Then shall my ghost come to thy bed,
And thee, feign’d vestal, in worse arms shall see :
Then thy sick taper will begin to wink,
And he, whose thou art then, being tired before,
Will, if thou stir, or pinch to wake him, think
Thou call’st for more,
And, in false sleep, will from thee shrink :
And then, poor aspen wretch, neglected thou
Bathed in a cold quicksilver sweat wilt lie,
A verier ghost than I.
What I will say, I will not tell thee now,
Lest that preserve thee ; and since my love is spent,
I’d rather thou shouldst painfully repent,
Than by my threatenings rest still innocent.

A VALEDICTION FORBIDDING MOURNING.

AS virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say,
“Now his breath goes,” and some say, “No.”

So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move ;
‘Twere profanation of our joys
To tell the laity our love.

Moving of th’ earth brings harms and fears ;
Men reckon what it did, and meant ;
But trepidation of the spheres,
Though greater far, is innocent.

 

Dull sublunary lovers’ love
—Whose soul is sense—cannot admit
Of absence, ’cause it doth remove
The thing which elemented it.

But we by a love so much refined,
That ourselves know not what it is,
Inter-assurèd of the mind,
Care less, eyes, lips and hands to miss.

Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion,
Like gold to aery thinness beat.

If they be two, they are two so
As stiff twin compasses are two ;
Thy soul, the fix’d foot, makes no show
To move, but doth, if th’ other do.

And though it in the centre sit,
Yet, when the other far doth roam,
It leans, and hearkens after it,
And grows erect, as that comes home.

Such wilt thou be to me, who must,
Like th’ other foot, obliquely run ;
Thy firmness makes my circle just,
And makes me end where I begun.

 

THE ECSTACY.

WHERE, like a pillow on a bed,
A pregnant bank swell’d up, to rest
The violet’s reclining head,
Sat we two, one another’s best.

Our hands were firmly cemented
By a fast balm, which thence did spring ;
Our eye-beams twisted, and did thread
Our eyes upon one double string.

So to engraft our hands, as yet
Was all the means to make us one ;
And pictures in our eyes to get
Was all our propagation.

As, ‘twixt two equal armies, Fate
Suspends uncertain victory,
Our souls—which to advance their state,
Were gone out—hung ‘twixt her and me.

And whilst our souls negotiate there,
We like sepulchral statues lay ;
All day, the same our postures were,
And we said nothing, all the day.

If any, so by love refined,
That he soul’s language understood,
And by good love were grown all mind,
Within convenient distance stood,

He—though he knew not which soul spake,
Because both meant, both spake the same—
Might thence a new concoction take,
And part far purer than he came.

This ecstasy doth unperplex
(We said) and tell us what we love ;
We see by this, it was not sex ;
We see, we saw not, what did move :

But as all several souls contain
Mixture of things they know not what,
Love these mix’d souls doth mix again,
And makes both one, each this, and that.

A single violet transplant,
The strength, the colour, and the size—
All which before was poor and scant—
Redoubles still, and multiplies.

When love with one another so
Interanimates two souls,
That abler soul, which thence doth flow,
Defects of loneliness controls.

We then, who are this new soul, know,
Of what we are composed, and made,
For th’ atomies of which we grow
Are souls, whom no change can invade.

But, O alas ! so long, so far,
Our bodies why do we forbear?
They are ours, though not we ; we are
Th’ intelligences, they the spheres.

We owe them thanks, because they thus
Did us, to us, at first convey,
Yielded their senses’ force to us,
Nor are dross to us, but allay.

On man heaven’s influence works not so,
But that it first imprints the air ;
For soul into the soul may flow,
Though it to body first repair.

As our blood labours to beget
Spirits, as like souls as it can ;
Because such fingers need to knit
That subtle knot, which makes us man ;

So must pure lovers’ souls descend
To affections, and to faculties,
Which sense may reach and apprehend,
Else a great prince in prison lies.

To our bodies turn we then, that so
Weak men on love reveal’d may look ;
Love’s mysteries in souls do grow,
But yet the body is his book.

And if some lover, such as we,
Have heard this dialogue of one,
Let him still mark us, he shall see
Small change when we’re to bodies gone.

 

THE FUNERAL.

WHOEVER comes to shroud me, do not harm,
Nor question much,
That subtle wreath of hair, which crowns my arm ;
The mystery, the sign, you must not touch ;
For ’tis my outward soul,
Viceroy to that, which then to heaven being gone,
Will leave this to control
And keep these limbs, her provinces, from dissolution.

For if the sinewy thread my brain lets fall
Through every part
Can tie those parts, and make me one of all,
Those hairs which upward grew, and strength and art

Have from a better brain,
Can better do ‘t ; except she meant that I
By this should know my pain,
As prisoners then are manacled, when they’re condemn’d to die.

Whate’er she meant by it, bury it with me,
For since I am
Love’s martyr, it might breed idolatry,
If into other hands these relics came.
As ’twas humility
To afford to it all that a soul can do,
So ’tis some bravery,
That since you would have none of me, I bury some of you.

 

THE BLOSSOM.

LITTLE think’st thou, poor flower,
Whom I’ve watch’d six or seven days,
And seen thy birth, and seen what every hour
Gave to thy growth, thee to this height to raise,
And now dost laugh and triumph on this bough,
Little think’st thou,
That it will freeze anon, and that I shall
To-morrow find thee fallen, or not at all.

Little think’st thou, poor heart,
That labourest yet to nestle thee,
And think’st by hovering here to get a part
In a forbidden or forbidding tree,
And hopest her stiffness by long siege to bow,
Little think’st thou
That thou to-morrow, ere the sun doth wake,
Must with the sun and me a journey take.

But thou, which lovest to be
Subtle to plague thyself, wilt say,
Alas ! if you must go, what’s that to me?
Here lies my business, and here I will stay
You go to friends, whose love and means present
Various content
To your eyes, ears, and taste, and every part ;
If then your body go, what need your heart?

Well then, stay here ; but know,
When thou hast stay’d and done thy most,
A naked thinking heart, that makes no show,
Is to a woman but a kind of ghost.
How shall she know my heart ; or having none,
Know thee for one?
Practice may make her know some other part ;
But take my word, she doth not know a heart.

Meet me in London, then,
Twenty days hence, and thou shalt see
Me fresher and more fat, by being with men,
Than if I had stay’d still with her and thee.
For God’s sake, if you can, be you so too ;
I will give you
There to another friend, whom we shall find
As glad to have my body as my mind.

 

THE RELIC.

WHEN my grave is broke up again
Some second guest to entertain,
—For graves have learn’d that woman-head,
To be to more than one a bed—
And he that digs it, spies
A bracelet of bright hair about the bone,
Will he not let us alone,
And think that there a loving couple lies,
Who thought that this device might be some way
To make their souls at the last busy day
Meet at this grave, and make a little stay?

If this fall in a time, or land,
Where mass-devotion doth command,
Then he that digs us up will bring
Us to the bishop or the king,
To make us relics ; then
Thou shalt be a Mary Magdalen, and I
A something else thereby ;
All women shall adore us, and some men.
And, since at such time miracles are sought,
I would have that age by this paper taught
What miracles we harmless lovers wrought.

First we loved well and faithfully,
Yet knew not what we loved, nor why ;
Difference of sex we never knew,
No more than guardian angels do ;
Coming and going we
Perchance might kiss, but not between those meals ;
Our hands ne’er touch’d the seals,
Which nature, injured by late law, sets free.
These miracles we did ; but now alas !
All measure, and all language, I should pass,
Should I tell what a miracle she was.

 

A LECTURE UPON THE SHADOW.

STAND still, and I will read to thee
A lecture, Love, in Love’s philosophy.
These three hours that we have spent,
Walking here, two shadows went
Along with us, which we ourselves produced.
But, now the sun is just above our head,
We do those shadows tread,
And to brave clearness all things are reduced.
So whilst our infant loves did grow,
Disguises did, and shadows, flow
From us and our cares ; but now ’tis not so.

That love hath not attain’d the highest degree,
Which is still diligent lest others see.

Except our loves at this noon stay,
We shall new shadows make the other way.
As the first were made to blind
Others, these which come behind
Will work upon ourselves, and blind our eyes.
If our loves faint, and westerwardly decline,
To me thou, falsely, thine
And I to thee mine actions shall disguise.
The morning shadows wear away,
But these grow longer all the day ;
But O ! love’s day is short, if love decay.

Love is a growing, or full constant light,
And his short minute, after noon, is night.


Reading: From Holy Sonnets

The Holy Sonnets poems, also sometimes called Divine Meditations or Divine Sonnets, are thought to have been written over several decades by the eminent poet John Donne (1572-1631), with the first of the poems being written as early as 1609 and then the other poems following the death of Donne’s wife in 1617. The collection is opened by an unnamed speaker who says that he has left himself to God in the name of salvation. With the speaker feeling worried about his approaching death, he wonders what kind of fate is waiting for him when it is his time to pass on into the afterlife. This series of nineteen poems were all posthumously published in 1633 in the first edition of Songs and Sonnets. The nineteen poems fall into diverse categories depending on the way that they are read. To one authority they are seen as disconnected pieces; a different authority sees them as four distinct groups, two of six poems each, one group of four, and one of three (“John Donne’s Holy Sonnets by John Donne”). Then there are opinions of some readers who see all the poems as sequenced and related to one another. All the sonnets take from the way that Donne can bring together an exuberant amount of wit and many traditions, allusions, and emotional states due to how intense and powerful the sonnets are.

 

1

Thou hast made me, and shall thy work decay?

Repair me now, for now mine end doth haste,

I run to death, and death meets me as fast,

And all my pleasures are like yesterday;

I dare not move my dim eyes any way,

Despair behind, and death before doth cast

Such terror, and my feeble flesh doth waste

By sin in it, which it t’wards hell doth weigh;

Only thou art above, and when towards thee

By thy leave I can look, I rise again;

But our old subtle foe so tempteth me,

That not one hour my self I can sustain;

Thy Grace may wing me to prevent his art,

And thou like Adamant draw mine iron heart.

 

3

At the round earth’s imagined corners, blow

Your trumpets, Angels, and arise, arise

From death, you numberless infinities

Of souls, and to your scattered bodies go,

All whom the flood did, and fire shall o’erthrow,

All whom war, dearth, age, agues, tyrannies,

Despair, law, chance, hath slain, and you whose eyes,

Shall behold God, and never taste death’s woe.

But let them sleep, Lord, and me mourn a space,

For, if above all these, my sins abound,

‘Tis late to ask abundance of thy grace,

When we are there; here on this lowly ground,

Teach me how to repent; for that’s as good

As if thou hadst seal’d my pardon, with thy blood.

 

10

Death be not proud, though some have called thee

Mighty and dreadful, for thou art not so,

For those whom thou think’st thou dost overthrow,

Die not, poor death, nor yet canst thou kill me.

From rest and sleep, which but thy pictures be,

Much pleasure, then from thee, much more must flow,

And soonest our best men with thee do go,

Rest of their bones, and soul’s delivery.

Thou art slave to Fate, Chance, kings, and desperate men,

And dost with poison, war, and sickness dwell,

And poppy, or charms can make us sleep as well,

And better than thy stroke; why swell’st thou then?

One short sleep past, we wake eternally,

And death shall be no more; death, thou shalt die.

 

11

Spit in my face you Jews, and pierce my side,

Buffet, and scoff, scourge, and crucify me,

For I have sinned, and sinned, and only he

Who could do no iniquity hath died:

But by my death can not be satisfied

My sins, which pass the Jews’ impiety:

They killed once an inglorious man, but I

Crucify him daily, being now glorified.

Oh let me, then, his strange love still admire:

Kings pardon, but he bore our punishment.

And Jacob came clothed in vile harsh attire

But to supplant, and with gainful intent:

God clothed himself in vile man’s flesh, that so

He might be weak enough to suffer woe.

 

13

What if this present were the world’s last night?

Mark in my heart, O soul, where thou dost dwell,

The picture of Christ crucified, and tell

Whether that countenance can thee affright,

Tears in his eyes quench the amazing light,

Blood fills his frowns, which from his pierced head fell.

And can that tongue adjudge thee unto hell,

Which prayed forgiveness for his foes’ fierce spite?

No, no; but as in my idolatry

I said to all my profane mistresses,

Beauty, of pity, foulness only is

A sign of rigour: so I say to thee,

To wicked spirits are horrid shapes assigned,

This beauteous form assures a piteous mind.

 

14

Batter my heart, three-person’d God; for you

As yet but knock, breathe, shine, and seek to mend;

That I may rise, and stand, o’erthrow me and bend

Your force, to break, blow, burn and make me new.

I, like an usurpt town, to another due,

Labour to admit you, but Oh, to no end,

Reason your viceroy in me, me should defend,

But is captiv’d, and proves weak or untrue.

Yet dearly I love you, and would be loved fain,

But am betroth’d unto your enemy:

Divorce me, untie, or break that knot again,

Take me to you, imprison me, for I

Except you enthrall me, never shall be free,

Nor ever chaste, except you ravish me.

 

19

Oh, to vex me, contraries meet in one:

Inconstancy unnaturally hath begot

A constant habit; that when I would not

I change in vows, and in devotion.

As humorous is my contrition

As my profane love, and as soon forgot:

As riddlingly distempered, cold and hot,

As praying, as mute; as infinite, as none.

I durst not view heaven yesterday; and today

In prayers and flattering speeches I court God:

Tomorrow I quake with true fear of his rod.

So my devout fits come and go away

Like a fantastic ague; save that here

Those are my best days, when I shake with fear.


Reading: From Devotions upon Emergent Occasions

 

 

Meditation IV (4)

IT is too little to call man a little world; except God, man is a diminutive to nothing. Man consists of more pieces, more parts, than the world; than the world doth, nay, than the world is. And if those pieces were extended, and stretched out in man as they are in the world, man would be the giant, and the world the dwarf; the world but the map, and the man the world. If all the veins in our bodies were extended to rivers, and all the sinews to veins of mines, and all the muscles that lie upon one another, to hills, and all the bones to quarries of stones, and all the other pieces to the proportion of those which correspond to them in the world, the air would be too little for this orb of man to move in, the firmament would be but enough for this star; for, as the whole world hath nothing, to which something in man doth not answer, so hath man many pieces of which the whole world hath no representation. Enlarge this meditation upon this great world, man, so far as to consider the immensity of the creatures this world produces; our creatures are our thoughts, creatures that are born giants; that reach from east to west, from earth to heaven; that do not only bestride all the sea and land, but span the sun and firmament at once; my thoughts reach all, comprehend all. Inexplicable mystery; I their creator am in a close prison, in a sick bed, any where, and any one of my creatures, my thoughts, is with the sun, and beyond the sun, overtakes the sun, and overgoes the sun in one pace, one step, everywhere. And then, as the other world produces serpents and vipers, malignant and venomous creatures, and worms and caterpillars, that endeavour to devour that world which produces them, and monsters compiled and complicated of divers parents and kinds; so this world, ourselves, produces all these in us, in producing diseases, and sicknesses of all those sorts: venomous and infectious diseases, feeding and consuming diseases, and manifold and entangled diseases made up of many several ones. And can the other world name so many venomous, so many consuming, so many monstrous creatures, as we can diseases of all these kinds? O miserable abundance, O beggarly riches! how much do we lack of having remedies for every disease, when as yet we have not names for them? But we have a Hercules against these giants, these monsters; that is, the physician; he musters up all the forces of the other world to succour this, all nature to relieve man. We have the physician, but we are not the physician. Here we shrink in our proportion, sink in our dignity, in respect of very mean creatures, who are physicians to themselves. The hart that is pursued and wounded, they say, knows an herb, which being eaten throws off the arrow: a strange kind of vomit. The dog that pursues it, though he be subject to sickness, even proverbially, knows his grass that recovers him. And it may be true, that the drugger is as near to man as to other creatures; it may be that obvious and present simples, easy to be had, would cure him; but the apothecary is not so near him, nor the physician so near him, as they two are to other creatures; man hath not that innate instinct, to apply those natural medicines to his present danger, as those inferior creatures have; he is not his own apothecary, his own physician, as they are. Call back therefore thy meditation again, and bring it down: what’s become of man’s great extent and proportion, when himself shrinks himself and consumes himself to a handful of dust; what’s become of his soaring thoughts, his compassing thoughts, when himself brings himself to the ignorance, to the thoughtlessness, of the grave? His diseases are his own, but the physician is not; he hath them at home, but he must send for the physician.

Meditation XVII (17)

PERCHANCE he for whom this bell tolls may be so ill, as that he knows not it tolls for him; and perchance I may think myself so much better than I am, as that they who are about me, and see my state, may have caused it to toll for me, and I know not that. The church is Catholic, universal, so are all her actions; all that she does belongs to all. When she baptizes a child, that action concerns me; for that child is thereby connected to that body which is my head too, and ingrafted into that body whereof I am a member. And when she buries a man, that action concerns me: all mankind is of one author, and is one volume; when one man dies, one chapter is not torn out of the book, but translated into a better language; and every chapter must be so translated; God employs several translators; some pieces are translated by age, some by sickness, some by war, some by justice; but God’s hand is in every translation, and his hand shall bind up all our scattered leaves again for that library where every book shall lie open to one another. As therefore the bell that rings to a sermon calls not upon the preacher only, but upon the congregation to come, so this bell calls us all; but how much more me, who am brought so near the door by this sickness. There was a contention as far as a suit (in which both piety and dignity, religion and estimation, were mingled), which of the religious orders should ring to prayers first in the morning; and it was determined, that they should ring first that rose earliest. If we understand aright the dignity of this bell that tolls for our evening prayer, we would be glad to make it ours by rising early, in that application, that it might be ours as well as his, whose indeed it is. The bell doth toll for him that thinks it doth; and though it intermit again, yet from that minute that that occasion wrought upon him, he is united to God. Who casts not up his eye to the sun when it rises? but who takes off his eye from a comet when that breaks out? Who bends not his ear to any bell which upon any occasion rings? but who can remove it from that bell which is passing a piece of himself out of this world?

No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend’s or of thine own were: any man’s death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee. Neither can we call this a begging of misery, or a borrowing of misery, as though we were not miserable enough of ourselves, but must fetch in more from the next house, in taking upon us the misery of our neighbours. Truly it were an excusable covetousness if we did, for affliction is a treasure, and scarce any man hath enough of it. No man hath affliction enough that is not matured and ripened by and made fit for God by that affliction. If a man carry treasure in bullion, or in a wedge of gold, and have none coined into current money, his treasure will not defray him as he travels. Tribulation is treasure in the nature of it, but it is not current money in the use of it, except we get nearer and nearer our home, heaven, by it. Another man may be sick too, and sick to death, and this affliction may lie in his bowels, as gold in a mine, and be of no use to him; but this bell, that tells me of his affliction, digs out and applies that gold to me: if by this consideration of another’s danger I take mine own into contemplation, and so secure myself, by making my recourse to my God, who is our only security.


Source Texts

Donne, John. Devotions upon Emergent Occasions. Ann Arbor Press, 1959, is licensed under no known copyright.

PDM

–The Poems of John Donne. Clarendon, 1912, is licensed under no known copyright.

PDM

 

License

Icon for the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License

An Open Companion to Early British Literature Copyright © 2019 by Allegra Villarreal is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, except where otherwise noted.

Share This Book